

Spectral Gate is a pleasingly versatile way of cutting and accentuating chosen frequency ranges. Meanwhile, two powerful Filter-Banks combine the functions of the Modulation tools into two comprehensive multi-fx generators.įuzz-Wah gives a fairly satisfactory rendition of a traditional wah-wah pedal and overdrive should you desire it.
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Plus, there is enough control and power to craft professional quality sound with each one.Īutofilter is a cool method of adding the kind of FX you might apply with automation controls on a bunch of plugins without needing to individually program each one. While Chorus, Phaser, Ringshifter and Flanger can sound better in more expensive audio units, the immediacy and ease of use is highly attractive. These all behave in fairly standard ways, to be expected for such traditional production plugins. Distortion 2 has a tinny, broken radio style sound, The Clip Distortion acts like a Tube Distortion, great for warming up sounds, while the Phase Distortion module gives resonant frequency-band control to your distortion and sounds immense on drums.įurther down the Audio Units menu is the Modulation menu. Gone are the boxy, lifeless sounds, and in their place a bunch of cast-iron saturators that breathe energy and raw power.ĭistortion 1 and Overdrive sound great, although they are nearly indistinguishable in effect. What were fairly uninspired saturation tools have been turbo-charged. Sample and Stereo Delay can create swirling, poly-rhythmic delays that add texture. You can control Pan, Volume, Transposition, Resonance and more for each parameter, resulting in mind-bending delays! Echo provides DJ style, well, echoes. Delay Designer is a truly marvellous creative delay tool. These tools have a definite character of their own compared to Ableton or the many popular market leaders.Įasiest to get to grips with is Tape Delay. Logic Pro X comes with enough delay power to create a wealth of echos, delays and glitched up bouncing effects. Meanwhile the SilverVerb is subtler in effect, giving you the option of Chorus modulation over your reverb tail. The EnVerb allows specific frequency bands to gather reverb, which is an excellent and intuitive tool for sound design and special FX. For these purposes, the brand new Chroma Verb is astonishing. Reverb plays with the space inside your mix, bringing sounds to the fore or sending them to the back. A streamlined selection so long AVerb, Goldverb and PlatinumVerb has been trimmed to just four on-board reverbs. More advanced producers may find the UI and window size a little restrictive, however. This means, for example, you can leave your hi-hats wild and untamed at the top of the mix while your bassline and kick are tightly clamped.

You can essentially split your compressor into 4 for different frequency bands. This seems a strange choice when you consider how ubiquitous compression is! A word on the multipressor also buried in the Dynamics tab, which is a more complex version of a compressor. Without going too far down the rabbit-hole of compressor tech, the main difference between them is the way they reduce the gain of your sound, which becomes more noticeable the more you drive it. With 6 different options to choose from, producers can run the same sound through them all and test for different effects. Establishing the right compressor to use at the right time can be daunting and confusing. There are a huge range of globally available compressors that provide different results and range in function. Nearly as important as a good EQ is good compression. Match EQ gives you the opportunity to directly compare the frequency behaviour of two different sounds. With multi-faceted control options and a pretty handy spectral analyser, you can identify and eradicate unwanted frequencies in a flash. Logic pro x autotune freefree.Logic Pro X Tutorial – AutoTune Invest the $ in the pro version to get the sound you actually want.
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Honestly the free auto tunes are mediocre at best. I think the best free auto tune is the Logic Pro X one.
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